Victor Pasmore
Works available
Abstract in White, Black and Natural Wood
1961
120.5 × 114.5 × 28 cm /
3ft 11 1/2 × 3ft 9 × 11 ins
Abstract in White, Black and Maroon
1962
61 × 122 × 21.5 cm /
2ft x 4ft x 8 1/2 ins
Blue Development (Indigo)
1964
51 × 46 × 11.5 cm / 1ft 8 × 1ft 6 × 4 1/2 ins
Green and Indigo Development No. 3
1965
152.5 × 152.5 cm / 5 × 5ft
Point of Contact:
Brown Development
1971
41 × 41 × 12.9 cm / 1ft 4 × 1ft 4 × 5 ins
Untitled
c. 1996
121.9 × 213.3 cm / 4 × 7ft
Untitled
1996
121.9 × 121.9 cm / 4 × 4ft
Linear Image
1977
40.5 × 40.5 × 10.5 cm / 1ft 4 × 1ft 4 × 4 1/2 ins
Untitled
1992
113 × 140.3 cm / 3ft 8 1/2 × 4ft 7 1/4 ins
Untitled
1993
121.9 × 243.8 cm / 4 × 8ft
Points of Contact
Transformations No.1
1970
Edition 5 of 60
45.9 × 45.9 cm / 1ft 6 × 1ft 6 ins
Please click here to see our available Pasmore prints
Biography
(1908 –1998)
Victor Pasmore was educated at Harrow and studied painting. He taught at
Camberwell and Central St Martins, and was Director of Painting in The School
for Fine Art, King's College, University of Durham from 1954-1961. He had his first one-man show in at the London Artists' Association's Cooling Galleries in 1933 and retrospective exhibitions at the Tate Gallery, London in 1965, and the Serpentine Gallery in 1991.
He rejected figurative painting for abstraction in 1947 and was arguably one of the
most influential British abstract painters of the 20th Century. He was elected to the
Royal Academy in 1983 and his work can be found in many Public Collections
around the world including: Tate Britain, Royal Academy of Arts –London, Museum
of Modern Art New York, The British Council, Yale Center for British Art and
numerous regional British galleries.