Corin Johnson
Corin Johnson
Canary, 2025
Sienna marble
46.5 x 27 x 31 cm
18 ⁵⁄₁₆ x 10 ⅝ x 12 ⅕ in.
Price on application
Stonemason and carver Corin Johnson lives and works in London. Although primarily a sculptor and stone carver, Johnson was drawn to using colour, particularly when carving in wood, after encouragement by his old friend and former neighbour, Craigie Aitchison.
While Corin Johnson’s work is often figurative, often including animals and church monuments, his collaborative work with artists Paul Noble, Ibrahim El-Salahi, and Edmund de Waal frequently explore other sculptural aspects.
Johnson graduated from the City and Guilds of London Art School in 1994 with a B.A. in sculpture, where he began working with wood, stone, alabaster, marble, clay, and plaster. After completing his studies, Johnson set up a studio in Southeast London. Shortly after graduating from City and Guilds in 1994, Johnson won a number of prizes, including a travel scholarship from Madame Tussaud’s. He took this opportunity to travel to Zimbabwe and work with Shona stone sculptor Nicolas Mukomberanwa for several months.
Johnson’s work has been shown at numerous solo and group shows, including at Fitzrovia Chapel; Walk Don’t Walk Gallery at Deal Castle; the Vigo Gallery, London Art Fair at Islington Design Centre; Pangolin Gallery; Messums, and the Tate Modern. His carvings and sculptures can be seen on buildings such as Westminster Abbey; Cambridge University (the Yales on the Wren bridge at St John’s); Oxford University (St Andrew on the Chapel of Exeter College); Ounces at Downhill, Derry; and the Slave Panel at Wisbech, Clarkson Memorial.
Corin Johnson
Shirley Collins, 2025
Portland stone
101 x 50 x 66 cm
39 ⁷⁄₁₀ x 19 ⅗ x 26 in.
Price on application
Corin Johnson
Don Letts, 2025
Portland stone
87 x 56 x 34 cm
34 ¼ x 22 ⅖ x 13 in.
Price on application
Corin Johnson
free as the wind, 2022-24
Fauld alabaster
28 x 28.5 x 17 cm
11 ⅕ x 11 ¼ x 6 ⅗ in.
With base: 32.5 x 36 x 47 cm
With base: 1ft 1 ⅘ x 1ft 2 x 1ft 6 ½ in.
“I started making this piece a few years ago while on a Zen ‘mindfulness’ retreat in the south of France. I would sit for an hour or two a day sculpting between meetings with the master Thich Nhat Hanh. I recently returned to the piece and completed it. The original inspiration came from seeing an Indian flutist performing Hindu religious music at the Barbican.” – Corin Johnson on his work ‘Free as the Wind’ (2022-24)